Mann Fickt Kind

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Mann Fickt Kind

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Mann Fickt Kind Bloodline TV Mysteries. According to online dictionaries, today the term glue seems to be general term used for adhesives including mucilage. Click on the following links to see more images of this bottle: base view post-bottom mold production though the seams are not Anal Se visible in the image ; close-up of the shoulder, neck and finish showing the crudely applied finish. The Reife Frauen Lecken color is the result of the use of magnesium dioxide as a decolorizer; the original color was colorless but has since turned deep amethyst due to either exposure to ample sunlight or irradiated artificially. This particular Deutsche Oma Fickt Mit Enkel dates from the s or s, was blown in a Ficken In KeuLn two-piece "keyed" hinge moldhas a blowpipe type pontil scar and no evidence of mold Heavy R Porn venting. Maskierte Kerle bumsen eine Blondine ; Sex Treffen Stade of the shoulder, neck and finish showing the standard crown cap accepting finish. It has a nice flow and is sequenced well, as if by a skilled DJ. Tune in to Boogaloo Radio at 2pm 9am EST Fistinf the 8th December to find out. These bottles also have a vague makers mark on the base not visible in image that resembles the goal posts on a football field. Horses hooves were reportedly a well know component of glue Hot Skinny Hooker Girl Fuck Men with Huge Cock and gets Cumshot the past at least according to my parents while growing up! Edit page. Australian actor Ben Mendelsohn won an Emmy for his masterful Escort BeuBlingen as troubled brother Danny Rayburn. The transition from applied to tooled finishes is covered in more depth in a section of the Bottle Finishing main page. A commonly seen bulk ink bottle from the late s to early s are the very decorative "cathedral" style bottles pictured to the left.
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Other play includes hitting up Bowie on tour and hiring your crew and other musicians to increase your star power and bank account.

There are also Sound and Vision cards like the Chance and Community Chest cards , which bring both good and bad fortune to players drawing from the deck.

I should know; I am one of those people currently waiting for their very own Bowie-Opoly to arrive. Images of the Queen Bitch of Monopoly games follow.

His home is a shrine to lurid giallo, 70s XXX and any and every midnight movie classic you can shake a stick at.

But why would you want to shake a stick at a bunch of movie posters to begin with? That would be pointless. And stupid. This is not the story of a man at the top of his game.

This is the story of a man at the end of his game. Endgame Man is aged somewhere in his 50s. Success has dabbled with him and has long been dabbling elsewhere.

The action begins on a bench in a scrubby enclosure in front of an estate in North London. The Auteurs, Baader Meinhof Just as that other modernist masterpiece Ulysses depicted a day in the life of Leopold Bloom, Test Driving The New Prius follows the life in a daze of Endgame Man.

In this tale of derring-do our hero acts out a perilous adventure in the yards between his home, his local pub and the off-licence.

With nervous system reduced to a series of involuntary twitches and reality reduced to a background hum of decades of half absorbed mindless daytime TV wittering.

Tune in to Boogaloo Radio at 2pm 9am EST on the 8th December to find out. Broadcast on Boogaloo Radio at 2pm and 3pm 9am and 10am EST on December 8th, then afterwards available to buy on cassette tape via Industrial Coast.

Both records were released as part of tax shelter deals in The albums are testaments to his knack for writing and performing clever, catchy songs, but in addition to not being asked if his works could be used on those records, Richard received no financial compensation.

From around until , a number of record labels were established as tax shelters, with investors putting their money into albums.

Technically, the practice was legal, but to maximize the write-off, the appraisal was often grossly inflated—as high as seven figures.

The I. S would come to question the legitimacy of some of these labels, and accuse those promoting shelters that focused on tax benefits—rather than the music being bankrolled—of perpetuating fraud.

Anything was seemingly fair game for a tax shelter album, including LPs previously issued as private press records, demo tapes by aspiring artists, and studio outtakes by name acts.

Some labels were so brazen, they released albums using material by groups as big as Led Zeppelin and the Beatles. Album of Beatles Christmas messages, Another issue that caught the attention of the I.

Over time, collectors came to realize that relatively few copies of individual tax shelter albums had made it into stores. Many of these records are so scarce that only a handful of copies are known to exist.

Sometimes the artists knew about the release and were compensated, but more often than not, they had no idea. The singer-songwriter Richard Goldman is an artist in which the latter applies.

In late , with dreams of making it in the music business, a year-old Richard Goldman moved from his hometown of New Rochelle, New York to Los Angeles.

His goal was to be a behind the scenes figure, thinking he would have a longer career as songwriter, rather than as a performer, as they tended to have shorter lifespans.

Developed in the United States, Florida Water was already a generic product by the s. During the last three decades of the 19th century, many North American druggists and pharmaceutical houses produced their own Florida waters, and also sold Murray and Lanman's Florida Water , the most popular of the brand-name Florida waters.

Two standard bottle shapes were used for Florida Water in the late 19th century. One of these forms is no longer remembered as a Florida Water bottle; without paper labels, examples of this shape are not easily identifiable as Florida Water bottles, and have not yet been studied The bottle form noted as " Examples of this bottle style clearly identified with embossing or paper labeling as "Florida Water" have not been observed by this author though such certainly exists, at least with paper labels.

The other very ubiquitous style is as pictured in this section. This tall, slender and very common bottle type is this sections subject.

However, Sullivan used and referenced that article incorporating its salient facts and information into her work.

Florida Water bottles are typically very consistent in proportions in the two most commonly encountered sizes shown to the right. Specifically, the body from the edge of the heel to beginning of the shoulder sweep is about equal in height to the distance from shoulder base to the finish aka "lip" rim or top.

Stated differently the finish, neck and shoulder are about equal height to the vertical sides of the body. With both the regular size bottles pictured in this section e.

Of course, with mouth-blown bottles this proportion can vary some due to the variable height of the neck depending on where the glassblower cracked off the blowpipe and, with applied finish bottles, how much glass was added to form the finish.

The typical capacity for regular size Florida Water bottles in the 19th to early 20th century was between 7 and 8 ounces; the smaller size about half that.

As noted earlier, the standard Florida Water shape was also used for castor oil. The image at the following link - cobalt blue castor oil bottle - is of an example probably made in England for the Scottish company that bottled their product in it although similar bottles were made and used in the U.

Proportionally it is very like the Florida Water bottles with a few subtle differences. First is that the body tends to be ever-so-slightly narrower with the castor oil bottles, or at least with the ones from the British Isles which are commonly encountered in the U.

Second, the ones used for castor oil are quite commonly cobalt blue glass - a color that is rarely seen holding Florida Water where the vast majority of bottles are aqua or colorless glass rarely amber.

And finally, the mouth-blown castor oil bottles again, at least the ones from the British Isles tend to come primarily with a two-part "brandy" or "mineral" style finish whereas the Florida water bottles virtually always have a one-part "oil" type finish.

The bottle pictured at the top of this section again to the far left is one of the earliest examples of what was at that time becoming by far the most popular brand of Florida Water in the U.

It is still being produced today in several bottle sizes regular size shown in the image to near left. The label similarity between the two is striking given the years separating them!

The stated capacity on the current product is 7. Certainly part of this companies success was probably due to the companies extensive use of advertising in the form of trade cards.

Below right is one of scores of different advertising trade cards the company gave away; one that shows the bottle embraced by flowers and gazed upon by a cockatoo.

This card probably dates from the s; the back side gives a litany of uses including simply as a " Click trade card reverse to see such. How do we know that?

First off, the base has a sharp "blowpipe" style pontil scar within the post-mold base type, indicating a manufacture no later than the American Civil War.

Click base view to see the base of this bottle. It is the only Florida Water bottle known to the author that was early enough to be pontil scarred. Use of the shape by this company as early as the s was speculated on by Sullivan based on her research indicating that the label was registered in New York in , but she was unaware of this example.

However, this is where the manufacturing based diagnostic feature dating ends and the original label takes over. David T. Lanman - in silent partnership with Lindley Murray - was a druggist located at 69 Water Street in New York from to He did business as a "wholesale druggist" at the same address from to under the name D.

That same year, George Kemp was also listed as doing business at that address; he apparently being the "Co. From to the end of the mouth-blown era for these bottles mid s?

Bottles with that embossing are found in the usual two sizes like shown to the right as well as a small sample size which is only 3.

Bottles with the same embossing are also found machine-made first with the usual cork closure beginning probably in the mids into at least the s possibly later when the closure was changed to a external threaded finish with screw cap empirical observations.

The larger bottle is embossed inside of an indented panel plate mold? It is also about 9" tall, has a typical applied "oil" finish, a smooth non-pontiled post-molded base which is about 2.

The smaller size is embossed within an indented panel with simply C. It is 6. These features would indicate a manufacturing date sometime between the mids to maybe as late as the mids.

In addition, the larger example exhibits the distinct outwardly curved forward leg on the "R" in the embossing.

This is widely acknowledged as an informal "signature" of a yet unknown mold engraver or machinist for the companies or independently in the Bay Area doing his work between about and the mids empirical observations.

All this information points towards the most likely manufacturing date range of the s to possibly the very early s for these bottles.

It should also be noted that there were scores if not hundreds of different brands that used this style bottle with their own embossing Moss ; Fike ; Sullivan as well as untold hundreds of brands that used label only bottles; bottles that would have been this same shape but without body embossing.

Hair products comprise another large bottle typology group with a wide variety of shape and size variations likely numbering into the tens of thousands over the period covered by this website 19th to midth centuries.

Some of the latter products could have been included on the Medicinal bottles typology page. As with such products made during the era, the line between personal grooming and medical treatment was often vague.

Closely related to the hair tonic bottles intended for purely personal embellishment are the highly decorative and colorful "barber bottles" used for various hair preparations within the context of the barber shop or beauty salon or there precursors.

As with the scent bottles noted above, the category of "hair" bottle shapes have limited commonality with each other besides being of relatively thin glass no carbonated products to the authors knowledge and of moderate to small size, i.

They can be square, rectangular or cylindrical in cross-section although figural bottles are extremely uncommon and can be found in a wide array of glass colors.

However, if there is any class of bottles that was purposefully made in the most beautiful and intense glass colors it was the "hair" bottles which were often made purposely not inadvertently by finishing a glass batch with a non-typical color like many 19th century bottles in cobalt and peacock blues, claret, burgundy and other purple colors, a wide array of greens and other bright, eye catching colors.

A few examples made of brilliant glass can be found below although as with most bottle types the more ordinary aqua's, amber's and colorless glass still dominate.

The bottle pictured at the beginning of this section and to the right reverse sides is probably the oldest embossed bottle pictured on this site dating from the early 19th century.

It is 3. Click base view to see the glass tipped pontil scar though it is a quite smooth example that is hard to see and may have been reheated to smooth it and allow for the bottle to stand upright.

It is also quite crude with it early flared finish, very uneven glass thickness which can be seen in the images especially at the base , and rough wavy glass surface.

This is all consistent with it's early manufacture between about to based on the context of where excavated in the French Quarter of New Orleans, LA.

Developed by a London barber named Alexander Rowland, the product was first marketed in the late s with various sources listing dates ranging from "around " Wikipedia to Fike to Fadely Named for the source of the ingredients Makassar, Indonesia the product was a very popular hair product made from coconut or palm oil mixed with "fragrant oils.

The product was made until at least Fike Although a foreign made bottle it is covered here as they are often found on 19th century historic sites in the U.

The small aqua bottle to the left was made in the s and is embossed with DR. Click reverse side view to see such. Jayne's Family Medicines.

His company also offered several different products for the hair, often with inferred medicinal properties, including Hair Dye, American Hair Oil, and Hair Tonic - the bottle illustrated here Fike ; Odell It is about 4.

Click base view to see the mold seam which runs to and under the blowpipe style pontil scar. The company continued in business until at least Holcombe A more comprehensive overview of the company can be found in Holcombe The s bottle pictured to the right is embossed on four sides with J.

The following is excerpted in part from Don Fadely's exceptional website on hair bottles see for more information; link below : "Joseph A.

Cristadoro was a New York City hair merchant from to His occupational listings included "Barber," "Wigmaker," "Hairdresser," "Dyes," "Patent Medicines," and "Chemist.

By , Maria J. Cristadoro was listed as his widow All of these bottles seen by this author have manufacturing characteristics indicating production between about and ; the bottles may have been labeled only after that point.

This particular bottle is 3. Click close-up of the shoulder, neck and rolled finish to see such. The smaller bottle was likely the same product in simply a smaller and cheaper size.

There were an assortment of very similar shaped square and sized one or two ounces maximum hair dye bottles e. Interestingly, all three of the other noted brands were also sold in larger No.

The deep amethyst or burgundy colored bottle pictured to the left is embossed on three sides with M RS S. This product was made for a lengthy period of time possibly beginning in the s as a local, home bottled product.

Embossed bottles of the Restorer and sister product Allen's Worlds Hair Balsam were probably first used about or Susan A.

Allen, the young wife of a dentist in New York City, invented the product to treat her own prematurely graying hair, i. The brand was purchased from Allen in by Selah R.

The pictured example is representative of the Restorer bottles which were produced in scores of different molds during the last half of the 19th century.

It is 7. This particular bottle likely dates from the mid to late s to or so. Fadely notes that in the s an advertisement stated the product was "put up in dark purple bottles" although the range of glass colors after that is very wide, at least until the s when shades of amber dominate.

The Worlds Balsam was apparently only bottled in somewhat similar shaped aqua glass bottles. The product was analyzed by the New York Board of Health in the s and found to have lead acetate which, they warned, if used continually could cause paralysis Fike !

Although many believe this to be a narcotic patent medicine the bottle reads "cocoaine" not "cocaine" as the product was a compound of cocoanut oil.

Further claims followed that ad banner: " Which is so common now-a-days may be entirely prevented by the use of BURNETT'S COCOAINE. It has been used in thousands of cases where the hair was coming out in handfuls, and has never failed to arrest its decay, and to promote a healthy and vigorous growth.

It is, at the same time, unrivalled as a dressing for the hair. A single application will render it soft and glossy for several days. This bottle is 7" tall it also came in a smaller capacity 6" version , blown in a non-air vented post-base mold, "smooth base" i.

Click close-up of the shoulder, neck and finish to view this finish which resembles the prescription style except that it inverted in that it is narrower at the finish rim at its base whereas the prescription finish flares outwards towards the rim.

Bottles for the product with this unusual conformation date from just after its introduction in Holcombe until the early 20th century when it was likely packaged in label only bottles as this author has never seen a machine-made version although it was advertised as late as Fike ; empirical observations.

The success of this product spawned imitating competitors with an example being Palmer's Coconut Hair Tonic sold in an essentially identical shaped bottle.

An example of the bottle is pictured to the above right next to the Burnett's. The bottle is not embossed but does have the original labeling which was very likely similar to what Burnett's Cocoaine used given that era of little to no regulation about such things.

The bottle is a bit shorter - about 6. Click reverse label view to see such; click side view to see one side of this bottle which is of the same conformation as the Burnett's; and click base view to see such.

The Solon Palmer Company However, this bottle was certainly intended only for the external use of coloring men's beards or mustaches.

The rectangular bottle is 4. It is quite crudely formed with wavy, bubbly glass and a feature that one sees on occasion in mouth-blown bottles - and interior "bird swing.

Click close up of the "bird swing" to view such as it easier to see than describe. This example actually formed a thin membrane or shelf of glass that adhered to three sides of the bottle - the two wide sides and one narrow side.

Sometime after the glass cooled and hardened, much of the thin membrane broke away the right side of the flaw leaving a relatively thick strand still remaining which bridges between the two wider bottle sides.

Buckingham Whisker Dye was the product of Dr. Ruben P. Hall of Nashua, NH. The Hair Renewer first appeared on the market about with the Whisker Dye apparently following shortly thereafter Fike Consisting of a single preparation, it is simple in application" Holcombe Don Fadely's great website on hair bottles has several trade cards for the product; a link to one is found here.

The product was sold in bottles like the illustrated example from the initiation of the product into the 20th century Fike ; Fadely Fike noted that it was advertised from at least as early as and as late as However, the product was sold to the competing J.

Lowell, MA. Probably one of the most popular hair products of the last third of the 19th century into the first couple decades of the 20th - judging from how often these bottles are encountered - was Ayer's Hair Vigor which was patented in January of and advertised until at least Fike ; Fadely It was first packaged in aqua, flask shaped bottles that were simply embossed with AYER in the center of the base; image to the right.

Click base view to view the noted embossing on a cup-base molded example. These flask like bottles were about 7 to 7.

Cup-base molded examples with tooled finishes date from the mid to late s until at least the mid s Fike and likely until the early s.

There was some crossover here with some tooled, post-base molded bottles being seen by the author. It appears the flask style and the colorful rectangular versions below were used concurrently for a time period, i.

The flask shaped bottles had ingenious labeling covering the entire body and neck. Click front view and back view to see both sides of an example with full labels photos courtesy of Reggie Lynch.

The very decorative trade card to the above left dates from the s. Click reverse view to see what claims were made for the product by the company as well as an illustration of the flask shaped bottle.

The peacock blue bottle pictured to the left two views is embossed AYER'S on one narrower side and HAIR VIGOR on the opposite side. Click view of the original stopper with shell cork to see such.

Click view of the rim indentation to see this somewhat unusual finish feature. The base is embossed with J.

Click base view to see an image of the embossing which also includes a B above and 8 below the embossing - mold numbers of unknown meaning now although many examples have the B in the same location.

Click close-up of the shoulder, neck and finish to view the upper portion of the bottle including the ring or narrow ball neck and the dark neck label still present although unreadable.

Click view of the neck, finish and stopper to see some of the original lettering on the neck label on another example which apparently was the main labeling on these bottles.

For more comprehensive overview of John C. The remaining side is not embossed and has the label shown in the image.

The larger label notes that it " A toilet preparation of high standard, used for imparting color to gray or faded hair. Both labels note the product was produced by the Hiscox Chemical Works of Patchogue, N.

In any event, according to Blasi the product was first sold in by David Hiscox of New York eventually becoming the Hiscox Chemical Works in Patchogue, NY located on Long Island.

It was marketed until at least Fike According to the AMA the product was found to be " The lead salt is poisonous. The horizontal ring mold seam can be seen just below the base of the finish - a sure sign of a machine-made bottle.

Click base view to see such including the flattened diamond used by the Diamond Glass Company Royersford, PA. These bottle can be found in a several sizes, mouth-blown and machine-made manufacture, and in at least a few different colors, i.

During the era covered by this website many thousands of different shapes, sizes, designs, etc. Later examples would also have date codes on the base, if decipherable.

It is likely that these bottles were also used for other products like cologne previous section above , aftershave, and other toiletry products.

There is quite a bit of variety to be found in this subtype of bottles with some forms unique to the style though most were bottle types largely utilized for other medicinal or druggist products put to use for lotions and creams.

The use of bottles for such skin products and other unguents dates back a couple thousand years to the Hellenic and Roman empire periods.

For example, the small 2. They can be square, rectangular or cylindrical in cross-section, and like the categories above, figural lotion bottles are very uncommon.

One interesting aspect of this genre of bottles is a tendency, albeit not absolute, towards more exotic bottle colors including milk glass , shades of cobalt and sapphire blue, and emerald green although just about any color except maybe black glass is possible.

As with many or even most other bottled, non-food products of the 19th to early 20th century, many or even most of these skin products also claimed to treat some affliction and were not just for beauty purposes.

The first bottle covered below is a prime example. The milk glass bottle pictured to the upper left is embossed with PROF. It is faintly embossed on the base with W.

Millville, NJ. The noted base marking orientation dates the bottle between about and Lockhart et al. This bottle is of the style known as a "French square" and was commonly used by druggists for their products and prescriptions.

It was called by that name in many late 19th to early 20th century bottle catalogs Whitall Tatum , ; Illinois Glass Co. Click Portland druggist bottle to see a virtually identically shaped and proportioned French square bottle that was made for a Portland, OR.

This lotion bottle has some physical evidence indicating it was also likely produced in a plate mold, i.

The Malvina Lotion was first introduced in and was produced until at least Fike The advertisement to the left is from The label indicated that it was a product that could " The earlier bottles were made in milk glass with later ones probably in the early s were of cobalt blue glass Fike To view an example of a druggist use of this same style click Oregon Blake style druggist bottle.

The linked druggist example is a bit taller 5. As with most druggist prescription type bottles it is made of colorless or "flint" glass.

The "short Blake" is what the bottle to right would be considered. Specifically, the illustrated bottle is embossed with G. It is 4. This example, based on the context it was found and the noted manufacturing features particularly the lack of air venting , dates from the s to early s; this style having been one of the earlier types to be produced in that type mold and have a tooled finish.

Later examples were air vented though no machine-made versions have been noted by the author. Prepared by Geo. Laird, Beware of Counterfeits.

The product was apparently quite popular during the noted advertising period as they are commonly encountered on historic sites from that period empirical observations.

The small stoppered bottle pictured to the left moves the category into the 20th century and widespread use of machines to produce bottles.

The mouth aka "bore" of this semi-jar is wide and it has a glass stopper which was hand ground along with the inside of the bore to fit snuggly.

Click image of stopper out of the bottle to see such. It was unusual for machine-made bottles to have a hand ground stopper fitted to them; a likely indication that this was an early to or so machine-made bottle by a glass company that still had a hand grinding shop within the factory.

It was manufactured by some type of likely semi-automatic press-and-blow machine as indicated by the distinct, circular valve or ejection mark on the base.

Click base view to see the base and the marking. The product was originally produced as an aftershave cream, sold in larger jars to barbers and smaller bottles like shown for home use.

Apparently it was never intended for use literally as a massage cream? By the product was popular enough to warrant the formation of the Pompeian Manufacturing Co.

The earliest versions of these stoppered bottles to maybe or so were hand blown with a tooled finishes and ground glass stoppers although most seen today were machine-made like the pictured example which dates from maybe to The product was sold in more conventional, wide mouth, label only jars with screw caps by the mids like some of the jars pictured in the Illinois Glass Co.

The Pompeian Mfg. The product was advertised at least as late as Fike The labeled, colorless glass bottle to the immediate right is an earlier example of a product that was most popular during the first 3 or 4 decades of the 20th century.

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